Talent For The Adult Film Industry

ROOTS ROCK REGGAE

Play I some music: (dis a) reggae music!
Play I some music: (dis a) reggae music!
Roots, rock, reggae: dis a reggae music!
Roots, rock, reggae: dis a reggae music!


Hey, Mister Music, sure sounds good to me!
I can't refuse it: what to be got to be.
Feel like dancing, dance 'cause we are free;
Feel like dancing, come dance with me!


Bob Marley cantava cosi nel 1976. Un invito a stare insieme, a condividere la passione per la musica, il ballo, la libertà. La muscia reggae ha una funzione also social in Kenya. Tell us about dreams, hope, justice, equality, the fight against oppression and in these issues above all young people want to identify.

In Kenya reggae is a status symbol, a way of being, talking, walking, dress ... aesthetic symbols of this kind of music or not only that, they are numerous and all have a common denominator in the colors of Jamaica, yellow, black and green (the yellow sun of Jamaica, black people and the green of veegtazione ' Caribbean island.), the face of Haile Selassie and the leaves indicates or more of marijuana. Indivisible the relationship between reggae music and marijuana. " The reggae music was born in Jamaica - explains Peter - was music to the poor, the street, a music of protest against the injustices of an unequal society and the marijuana was sifaretta of the poor, with just a few cents everyone could smoke it. Even today, with winds in Kenya shillings so you can smoke ganja cigarette prejudice of the poor. " Beyond the economic, marijuana is considered for its beneficial effects a kind of key to the meditation and considered by many access to meditation and considered by many grass sacred that its property of facilitating the flow of thoughts and ideas.

Gl slogans are equally effective: Zion, More Fire, Rastafarai, One love, Jah nobles, "Colour for Coulour, skin for skin".
Representatives reggae by storm in Kenya and making up the soundtrack of Nairobi as Mombasa, Kisumu Nakuru as ranging from the classic Bob Marley, Bunny Wailer, Denis Brown, Gregory Isaacs, Jacob Mille up to Fantan Mojah, Richie Spice, Sizzla, Anthony B, Damian Marley, Morgan Heritage, Sizzla, Tanya Stephens, Capleton, Buju Bantu, Mighty Culture, Cully Buds, Jah Mason, Warrior King, Morgan Heritage.
From their powerful amplifiers, matatu stand out on the streets of Nairobi noisy and busy promoting reggae music did not stop. Some cars also have the video then on the way the image of Jamaica's run to the tune of more recent successes you here and that the streets of Kingston (Jamaica) become those of Nairobi without any major differences with their problems and Their dramatic poetry

Damian Marley is the youngest son of Bob Marley. In his text reaffirms the power of speech. Damian says that the "pen is stronger than the knife," ma questo lo disse prima Franz Kafka. Si intende che molti giovani cresciuti per le strade di Kingston Town o di Nairobi o di Johannesburg riescono a recepire il messaggio da Damian Marley piuttosto che da Kafka che presumibilmente è molto lontano dalla loro realtà.

Marley Jr, parla di un mondo di gelosie, di calamità, di abusi di potere, di attori fantocci che inventano realtà ambigue, di poliziotti che abusano del loro potere e fanno giustizia da sé per convenienza e tornaconto.



In this world of calamity /Dirty looks and grudges and jealousy/And police weh abuse dem authority/Media clowns weh nuh know 'bout variety/Boom! /Clean and pure meditation without a doubt/Don't mek dem take you like who dem took out./Jah will be waiting there we a shout / Jah will be waiting there! /In this world of calamity./Dirty looks and grudges and jealousy /And police weh abuse dem authority /Media clowns weh nuh know bout variety /Single parents weh need some charity/Youths weh need some love and prosperity/ Instead of broken dreams and tragedy/By any plan and any means and strategy.

(Damian Marley – The Road to Zion)




Contro la guerra, le parole della canzone di Bob Marley War, sono in realtà le parole di Hailé Selassie Ras Tafari, in esse è racchiusa la sua grandezza e giustezza, mi spiega Peter.

That until there no Longer / First Class and Second Class Citizens of Any Nation / Until the color of a mans skin / Is of no more Significance Than The Colour Of His Eyes / Me say war. / That until the basic human rights / Are Equally guaranteed to all, / Without Regard to Race -/Dis to war.

( Bob Marley - War)






Richies Spice is an artist who focuses attention on the life of the street, standing on the side of boys and children, with emphasis on their rights:


I hear dey cryin out mama / i hear dem cryin out love / dada dey need a rightful place / dey need to shelter from storm from / children are cryin out for love / cryin out love / children cryin out for love cryin out love / ic burdens rounds dada streets / street side Becomes DERE daily school / they need some proper education / they need to learn from the golden rule / gift For Every kids / For Every kids love / For Every bread kids / When dats from world wud be change / take it from root / Teach Youths from truth from / to teach youth from roots yeah.


(Richie Spice .- Children Crying out for love)






Damian Marley Still, it reflects the everyday life of Kingston where the boys to survive are forced to live a life on the fringes of legality, and here the streets of Kingston and become those of Nairobi.

Welcome to Jamdown, poor people a dead at random / political violence, can not done! Pure ghost and phantom, the youth / Dem get blind by stardom / Now the Kings Of Kings a call / Old man to Pickney, so wave unno hand if you with me / To see the sufferation sicken me / Them suit no fit me, to win election Them trick we / Den Them do not do nuttin at all ...




teaches love of neighbor, sharing, fighting to keep the peace, the environmental message is very strong, I think of Peter Tosh e alla sua canone “No nuclear war”:
No Nuclear War



We don't want no nuclear war
With nuclear war we won't get far
I said that We don't want no nuclear war
With nuclear war we won't get far
Said no, just another holocaust
It's just another holocaust
And we can't take no more.








reggae music asks questions, important questions about the role that each may have to change things. Fantan Mojah says in his song: If You Had The Power to Change Just One Thing What Would It Be? Well change the system me see my self as a bless of art of and a mission because i see it as one way (why me Jah Jah) .

In Kenya, reggae is the gospel of young Kenyans who identify with the beautiful lyrics, between the poetic and the political, the turning point, the change possibile. Ascoltare un certo genere di musica, suonarla, ballarla, è più di un divertimento, è un modo per lottare, per prendere posizione e dire da che parte ci si trova. E un modo per sperare e identificare un obiettivo da raggiungere.

Non è difficile riconoscere in Marcus Garvey il padre spirituale della Jamaica e il referente di tutti  i rastafara-I: "Voglio muovere il cuore di ogni uomo nero perchè tutti gli uomini neri sparsi nel mondo si rendano conto che il tempo è arrivato, ora, adesso, oggi, per liberare l'Africa e gli africani.”

Valentina Acava Mmaka and Peter Kuria Asamba